Although young adult fiction, as opposed to its mature adult counterpart, may be perceived as a separate genre, the designation instead reflects the age range of its readers-in this case, those between 12 and 18-and hence entails;plots which are appropriate for such development.

“Young adult is perhaps the largest category of new fiction today,” pussy888 apk download according to Kate Angelella, former editor of Simon and Schuster Publishers. “Or to put it another way, writing young adult fiction seems to be at an all-time high. There’s something about adolescence-coming of age, first loves, first triumphs, loss of innocence-that makes it the perfect backdrop for raw, honest storytelling. No matter how far we get away from them in time, the memories of our teenage years tend to remain fresh.”


While both young adult and mature adult fiction entail the traditional elements of plots, scenes, characters, dialogue, interior monologue, and setting, there are several fundamental differences between the two.

The first, as indicated by its very designation, is the readership to whom the literature is pitched, advertised, and catered, although some “crossover” sales have resulted in adults reading young adult books and vice versa.

The second, consequently, results in similar-age protagonists and other supporting characters so that readers can identify with and understand them, and stories involve their concerns, priorities, perspectives, thoughts, observations, and feelings. In short, these stories focus on how they deal with elements of the plot and those with whom they interact.

Voice, the style in which the story is told, is the third. Because similar-age readers will vicariously experience its characters’ journeys, that voice must be teenager-authentic and realistic. Their experiences must also be appropriate and can include themes such as peer pressure, acceptance, self-image, initial love, school work, sports competitions, bullying, and supportive or abandoning home life.

Style, yet another element, entails immediacy-that is, teenagers deal with their circumstances right now, while older adults in more mature fiction may involve past reflection writing.

Finally, presentation also varies. In young adult fiction, topics such as love and violence are explored in less explicit ways.


Traditionally mature adult fiction writing aspects must be modified to be suitable for young adults.

In order to hook and engage a teenager, whose attention span is usually far shorter than that of an older adult-especially if his interest has not been piqued-the author must create genuine characters.

“The life of the story depends on the writer’s ability to convince the reader that the protagonist is one of them,” according to Regina Brooks in her book, “Writing Great Books for Young Adults” (Sourcebooks, Inc., 2009, p. 2). “The key to writing a successful (young adult) novel means knowing kids well enough to channel their voices, thoughts, and emotions.”

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